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What is a trunk novel? The Story of The Martlet

November 30, 2017

 

 

Originally Posted on ZB Publications Blog. 

So after posting about The War Ender’s Apprentice last week, I got a few questions and specifically the one I am going to answer is What is a trunk novel? (Or more specifically: why the hell did you keep a decent novel in your back pocket in the days of self publishing?)

 

The definitions of a trunk novel are: 1) a non-publishable novel the author finished early in their writing career (2) a novel they never sold.

 

The original The Martlet novel was both. It was inspired by a short story I wrote while I was waiting to hear back from publishers about Other Systems back in 2011. I sent it to a literary magazine who rejected it, but gave me a long feedback letter. They loved it, but felt like it was part of a novel. Specifically they loved the idea of the central character: a person who stops wars before they get started and they loved the relationships that I showed. So I sat down and wrote the novel using my drafting process.

 

I originally thought this was a swashbuckling adventure book with mass market appeal so I sent it out to publishers. The rejections started piling up from big and small publishers–including 48Fourteen who published Other Systems. Only one small publishing company showed any interest, but I hesitated and the opportunity was gone.

I sent The Martlet to beta readers, the overall feedback I got was that everyone loved the characters, but felt the A plot and B plot was overly complicated. Thinking there was something wrong with the beginning, I wrote a new beginning. And I tried to smooth out the A Plot, by adding shorter adventures so the characters could solve things while continuing to work on the big plot which takes years. (Yep, I literally made it even more episodic!)

 

SIDE NOTE: if The Martlet was my only project I might have come to the conclusion to break up the novel earlier, but during this time, I also finished the third book in Faminelands, the final episodes of Out for Souls and Cookies, I wrote and 48Fourteen published The Light Side of the Moon, I wrote and self-published The Grove, and I spent six months collaborating with Jennifer Brozek on the graphic novel version of her short story The Prince of Artemis V for which we’re shopping for a publisher right now. 

 

However, The Martlet kept calling. Between projects, I’d work on it. Try to see if I could clean up the prose or add a chapter here or there. I added a frame story at one point. I sent it to other beta readers.

 

I couldn’t turn away from the central cast of characters, especially Roark. I wanted to publish it so it would stop haunting me, yet I knew I would regret publishing it too early.

With every project under my belt, I learn another lesson and The Martlet was now screaming at a fever pitch in the back of my mind. So I started fresh. Now I don’t want to give too much away, but I noticed there was no inciting incident which starts Roark on his path, because it happened when he was much younger than he is in the original novel.

 

These two points are from Roark’s Background:

Age 13 – 19: During Roark’s apprenticeship, he sees his master [Alana] pulled two ways. Her Martlet vows and her War Ender vows. Personally, he is tired of her do-gooding, when she is breaking laws to do it. 

Age 16: Alana rescues Eohan from a slave ship due to “one of her more idiotic” visions.

This is from Eohan’s Background:

Age 18: Alana rescues [Eohan] from a slave ship. Though unsure about Alana’s methods and Roark’s instincts, the young men become friends.

 

I started asking myself about other things readers would want to know, like why/how were Eohan and Kian enslaved. If slavery exists: what does that mean for the societies in this book? And where do the War Ender’s come in? Why would a society stop wars, but turn a blind eye to the atrocity of slavery?

 

Now if these pieces were additions to a novel, The Martlet would become another longer work. As an author and artist, I am always trying to challenge myself. If the problem is that it’s episodic, then I should turn it into interconnected episodes!

What might be a good novel might become a series of epic novellas!

Now that The War Ender’s Apprentice is out, I have a little more to do with The Assassin’s Twisted Path before I send it to the editor in early January.

 

Long story short: Though I tend to be a “let’s get it done” type author, sometimes just getting it done isn’t the answer. I needed time to explore the work and discover it’s potential. I’m glad I took that time. If anyone is pushing you to publish a work, you know isn’t ready, don’t listen. Stick it aside, and work on another project.  Or stick it out and figure out what’s wrong.

 

 

 

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